Etikettarkiv: Clean

Business cards are said to be effective when they create a sense of wow in the minds of people with whom you share them. Minimalist or clean design business cards are a hot trend among everyone. Clean looking cards are brought into reality by incorporating light typography, using simple paper textures, having stark opposite colors on both the sides, keeping the edges free of text and logo.

Clean business cards boast of simple embossing effects conveying the profession of the person, cutting down on text, using white as the background with color only along the card sides. Imaginative and Organized!

Göteborgstryckeriet

“Göteborgstryckeriet first opened for business in 1918. Today it’s one of Europe’s premier printers, providing everything from traditional services to sophisticated packaging and displays.

“Göteborgstryckeriet’s visual identity is a celebration of creativity and technical know-how. Everything, from business cards to transport packaging, is used to communicate its skills. In a bid to further boost the brand, existing and potential customers are exposed to all manner of activities and events. The marketing of a new foil and embossing machine (Lost & Found) became a bestseller. And a house made entirely of paper (Chameleon Cabin) provided the ultimate proof that nothing’s impossible.”

Designed by Happy F&B

Joy Provisions

“A soon-to-be-launched online boutique, Joy Provisions aims to be a central source for chemical-free beauty supplies and products. With a focus on consumer experience and quality ingredients, we honored the company’s name and concept by designing a modern brand identity with playful, understated details. We also developed a distinct stationery and packaging system to help Joy Provisions carve out a unique voice in the beauty industry.”

Designed by Jessica Comingore

Skandia

“In 2013, Kurppa Hosk won a major agency pitch for Skandia, one of Scandinavia’s leading bank and insurance companies. Skandia felt a need to reposition its brand. The company wasn’t being perceived in the desired way. And the existing visual expression reinforced the undesired connotations. Kurppa Hosk was asked to create a new visual identity – one that would better convey Skandia’s corporate DNA and help unify its large organization. The assignment had to adhere to a strict design brief, with numerous must-nots and constraints.”

Designed by Kurppa Hosk

Honom Hennés

“Honom Hennés is a contemporary boutique located in Monterrey, Mexico that offers a unique approach to the fashion industry. Both co-founders put special effort in hand picking select items from renowned brands from all over the world. Their collections include garments and accessories for those men and women who think of fashion items as a way to express themselves.”

Designed by Firmalt

Leeds Juicery

“Design and Art Direction to consolidate brand identity Leeds Juicery. An exciting new cold-pressed juice based in Leeds, UK with a unique approach and concept behind its product.

“The identity focuses on capturing purity, meditation, health, and the ancient Indian medicinal science of Ayurveda that underpins the process and aura of well-being of the company.

“Equally important is expressing the unique location, local produce and client connection the company strives towards. For memorability across wholesale, delivery and pop-up stalls. This is amplified through hand-written personal elements and a proud Yorkshire tone of voice. This personality combined with the clinical art direction forms a unique relationship.”

Designed by Abbas Mushtaq

Collective

“Collective is a new Turkish agency that produces content as well as communication and design work. The company ideology is to work like a collective and to develop projects with different people. Networking. We have created an elegant and typographical logo based on a “collaborative” concept. The letters come together. At the same time the brand comes with a slogan “A thousand heads. One mind.” which helps to suggest an identity more reminiscent of a publishers. The use of black and white gives it seriousness/sobriety and the yellow reflects the collaborative nature of Collective.”

Designed by Hey Studio

The Water Rat

”The Water Rat is amongst South Melbourne’s oldest hotels in an area rich with ‘watering holes’. Rather unfortunately, it is perhaps best known for the 1973 murder of union secretary Pat Shannon, gunned down in the hotel’s front bar. Immensely popular in the 1990s but less so of late, the hotel recently changed hands.

”We were asked to provide a fresh identity for the Water Rat, part of the new owner’s strategy for rejuvenation. Incorporating a traditional shield motif, a set of customised icons and a sophisticated colour palette, the identity was developed to complement Eades and Bergman’s elegant interiors. The playful system was implemented out across numerous items including menus, uniforms, function folders and a website.”

Designed by Hofstede